Phantom Of The Opera
Winner of 7 Tony Awards!
Phantom Of The Opera
It is a delight for all the senses, possesses dazzling stagecraft...renewed my faith in the show.
BroadwayWorld
Why see Phantom Of The Opera?
See Broadway's Longest-Running Show, On Tour!
In 1986, Andrew Lloyd Webber unveiled his latest masterpiece, Phantom of the Opera, an electrifying rock musical inspired by Gaston Leroux's 1910 novel. This mesmerizing tale of supernatural romance has captivated audiences and become a cultural phenomenon. As Broadway's longest-running show, this iconic production continues to break records, with an estimated 140 million viewers worldwide.
Experience the magic of Phantom as it enters a new era with a refreshed production set to enthrall audiences across America. Don't miss your chance to witness this legendary show as it haunts your city on this exciting new tour!
The Paris Opera, 1881...
Hidden in the tunnels deep below the Paris Opera resides a deformed musical genius who stalks the halls and terrorizes the company from the rafters. With his half-covered by his famous white mask, his only happiness comes from tutoring the beautiful, orphaned chorus girl Christine Daae, with whom he has an enduring obsession. Unseen, he teaches the young ingenue to sing 'The Music of the Night.' As her 'Angel of Music', Christine blossoms and steps out of the chorus line onto center stage.
When Christine becomes engaged to another man, the Phantom is driven wild with jealousy and will stop at nothing to have her for himself, even resorting to murder. And so begins a tantalizing tale of forbidden love and supernatural adventure so exciting that over 130 million people worldwide have lost their hearts and minds to the drama.
Did You Know?
To achieve the spooky atmosphere of the Phantom's underground lair, the crew use more than 500lbs of dry ice and 10 fog and smoke machines at every performance. Brrrrrr!
Key Information
Audience
Recommended for children aged 10 and older
Run Time
Two hours 30 minutes with one 15-minute intermission
Dates
Showing until Apr 5
Upcoming Performances
Cast
- Jordan Lee Gilbert as Christine Daae
- Daniel Lopez as Raoul
- Midori Marsh as Carlotta Giudicelli
- William Thomas Evans as Monsieur Firmin
- Carrington Vilmont as Monsieur Andre
- Lisa Vromanas Madame Giry
- Christopher Bozeka as Ubaldo Piangi
- Melo Ludwig as Meg Giry
- Alexa Xioufaridou Moster as Christine Daae at certain performances
- James Channing as Joseph Buquet
- Carlyn Connolly as Madame Firmin
- Keenan English as Hannibal’s Guard/Shepherd
- David Young Fernandez as Hairdresser
- Alyssa Giannetti as Page
- Stanley Glover as Hannibal’s Guard/Shepherd
- Matthew Griffin as Marksman
- Jeremy Harr as Don Attilio
- Olivia McMillan as Wild Woman
- Evelyn Mê-Linh as Princess
- Ben Roseberry as Auctioneer/Monsieur Reyer
- Alexandria Shiner as Confidante
- Dennis Shuman as Jeweler
- Donovan E. Smith as Passarino
Further cast
Stephen Tewksbury, Krista Wigle, Aloria Adams, Kayla Goldsberry, Eureka Nakano, Jennifer Gruener, Liv Mitchell, Charlotte Oceana, Scott Mikita, Trista Moldovan, Bronson Norris Murphy, Camila Rodrigues, Lacy Sauter, Andy Tighe.
Please note: The producers can't guarantee the appearance of any performers on any specific date.
Creative
- Direction by Seth Sklar-Heyn
- Choreography by Gillian Lynne
- Choreography recreated and adapted by Chrissie Cartwright
- Production design by Maria Björnson
- Music by Andrew Lloyd Webber
- Lyrics by Charles Hart
- Additional lyrics by Richard Stilgoe
- Book by Richard Stilgoe and Andrew Lloyd Webber
- Orchestrations by David Cullen and Andrew Lloyd Webber
- Music supervision by Simon Lee
- Set design adapted by Matt Kinley
- Costume design by Jill Parker
- Lighting by Andrew Bridge
- Sound by Mick Potter
Awards
1988 TONY AWARDS
Best Musical
Director (Hal Prince)
Sets (Maria Bjornson)
Costumes (Maria Bjornson)
Lighting (Andrew Bridge)
1988 DRAMA DESK AWARDS
Best Direction (Hal Prince)
Actor in a Musical (Michael Crawford)
Best Music (Andrew Lloyd Webber)
Best Orchestration (David Cullen and Andrew Lloyd Webber)
Best Scenery (Maria Bjornson)
Best Costumes (Maria Bjornson)
Best Lighting (Andrew Bridge)
1988 OUTER CRITICS CIRCLE AWARDS
Best Musical
Best Design (Maria Bjornson)
Reviews
Customer reviews
304 reviews, average rating: (4.2 Stars)
Tina Pedersen
Phantom’s Reign
Phantom of the Opera at Denver’s Temple Hoyne Buell Theatre was nothing short of spectacular. From the first note to the final fall of the curtain, the performance was absolutely breathtaking.
Isaiah Bailey, as the Phantom, delivered a rich, raw performance that moved me to tears. Alexa Moster’s pure, crystal-clear tone paired beautifully with both Bailey and Daniel Lopez, whose smooth, sultry presence as Raoul brought depth and undeniable charm to the production. Midori Marsh proved that even at altitude, extraordinary breath control and a commanding operatic performance can leave an audience in awe.
I was so overwhelmed by this production that it took me over an hour to process my thoughts enough to share them without becoming emotional. It is rare to experience a cast so powerful that they can move an audience to silence, tears, and complete breathlessness.
Because of Isaiah Bailey’s performance as the Phantom… I am officially Team Phantom for life. Sorry, Raoul—I’m Team OG. ... Read more
Marisol Nethken
Outstanding Performance
Magnificent show... the music was incredible ... the scenery beautiful... the phantom was the understudy and I can’t imagine a performance any. Better, he was magnificent ... my favorite part...
If you get the chance it’s a must see !!! ... Read more
Jason
Excellent. But why change the mask?!?
I took my adult daughter to see the 2026 production of Phantom of the Opera in Denver as her first time experiencing the show. I’ve seen Phantom several times myself. The cast was outstanding and the overall production was as captivating as ever.
My one piece of feedback—and it’s a notable one—is the decision to change the Phantom’s mask from its iconic white to a bronze tone. This choice was honestly baffling. The white mask is one of the most recognizable symbols in all of theater, and it serves a clear purpose aesthetically and historically, evoking a porcelain mask of that era.
The darker bronze color made it difficult to tell that the Phantom was wearing a mask at times. We had incredible seats (fifth row center), with a clear view of facial expressions, and yet my daughter initially couldn't tell he was wearing one at all. It feels like an unnecessary design change and a classic case of someone trying to make their mark and overthinking it.
Go back to the white mask. ... Read more
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